Simon Leung was born in Hong Kong and studied at the University of California Los Angeles, Columbia University, and the Whitney Independent Study Program. His projects in various media include a proposition of Marcel Duchamp’s oeuvre as a discourse in ethics; a rethinking of the psychological, philosophical, and political dimensions of the glory hole; meditations on the residual space of the Vietnam-American War; a video essay on the site/non-site dialectic instigated by Robert Smithson’s reception of Edgar Allan Poe; “squatting projects” in various cities (Berlin, New York, Chicago, Vienna, Guangzhou, Hong Kong); and an ongoing opera project set in Los Angeles’ Griffith Park called The Side of the Mountain. Leung has participated in the Guangzhou Triennial (2008), the Luleå Summer Biennial (2005), the Venice Biennale (2003), the Whitney Biennial (1993), and has also exhibited at Pat Hearn Gallery, the Museum of Modern Art, the Museum of Contemporary Art, the Art Institute of Chicago, the Generali Foundation (Vienna), 1a Space (Hong Kong), NGBK (Berlin), and Sala Mendoza (Caracas). In 2008, he received a Guggenheim fellowship and the Art Journal Award for his essay The Look of Law. He has taught in the Studio Art Department at the University of California, Irvine since 2001. Leung’s exhibition at CUE Art Foundation marks his first solo show in New York City since 1996.