SHELTER OR PLAYGROUND
THE HOUSE OF DUST AT THE SCHINDLER HOUSE
Open Wed-Sun, 11am-6pm
The exhibition will be closed on Sunday May 19 for a private event.
Free entrance for the events
The performance program begins on February 16 & 17. Full program below.
March 9, March 23, April 6, April 20, May 4, May 18 and June 1
2pm: curator walkthrough
3pm: Performance by Milka Djordjevich, Kinetic Augmentations, 2019
4pm: Fluxus scores
Closing performances: June 1
1:45pm: House of Dust collective reading
2pm: curator talk
3pm: Milka Djordjevich, Kinetic Augmentations
3:50pm: House of Dust collective reading
4pm: Jasmin Blasco, Speaking in Tongues
4:45pm: House of Dust collective reading
5pm: The story behind From another to a place by Aurelie Godard
5:30pm: House of Dust collective reading
Various FLUXUS scores will be performed by Calarts students throughout the day, between each event
Download the exhibition booklet here.
This exhibition springs from The House of Dust, a seminal yet under-recognized late 1960s work by Fluxus artist Alison Knowles. Originally called The Play House, this intermedia piece serves as an entry point into contemporary investigation of the relationships between architecture, technology, and performance. In a text titled Shelter or Playground, Rudolf Schindler described his house as a “Playground” that “grows with its inhabitants” and where “life will regain its fluidity”. Today, the house open its doors to contemporary artists who have been invited to produce site-specific works, responding to both architectures by Schindler and Knowles and translating them into multiple performative forms.
Curated by Maud Jacquin, Anna Milone and Sébastien Pluot, this group exhibition is the result of a collective research effort initiated by Art by Translation (TALM Angers & École nationale supérieure d’arts de Paris-Cergy) with the MAK Center for Art and Architecture and France Los Angeles Exchange (FLAX), in collaboration with the California Institute of the Arts (CalArts).
Shelter or Playground will involve the commissioning of new works and performances by Henry Andersen & Bryana Fritz/Slow Reading Club (Australia, USA), Lila Athanasiadou (Netherlands), Jasmin Blasco (France/USA), Dimitri Chamblas (France), Milka Djordjevich (USA), Daniel Frota (Brazil), Mark Geffriaud (France), Gerard & Kelly (USA), FLAX Artist-in-Residence Aurélie Godard (France), Jeff Guess (France), Alison Knowles (USA), Simon Leung (USA) and Luke Stoneham (UK), Lucky Dragons (USA). It will be accompanied by interpretations of scores by Fluxus artists or those associated with Fluxus—Alison Knowles, Yoko Ono, Alvin Lucier, Pauline Oliveros—interpreted by CalArts students and by historical performances including works by Merce Cunningham and Trisha Brown on the CalArts Nomad Floor.
In 1967, Alison Knowles’s The House of Dust started as one of the first computer-generated poems. Each quatrain began with “A House of …” followed by random sequences of materials, sites or locations, light sources, and categories of inhabitants. In 1969, Knowles translated one of the quatrains into an architectural structure with organic, “non-Euclidean” shapes that, at the time, were in contrast with the technological origin of the poem. The house was first installed in Chelsea, New York, and then moved to CalArts, where a burgeoning community of artists and students created a number of artistic works in response to the structure (installations, performances, dance, concerts, poetry classes, etc.). The physical House thus became an open structure, a platform used to generate and shelter experimental activities. It got lost in the 1980’s and the only remaining aspect of the work was the poem that we have reconstituted and open to new interpretations.
At the core of this exhibition is the desire to reactivate the generative potential of Knowles’s work and catalyze interrogations of wider esthetic and social issues through several disciplines, creating new forms and communities. This exhibition organizes the encounter between The House of Dust and the Schindler House, two very singular architectures that coincides on numerous dimensions. They both represent alternatives to functionalist architecture and conventional behavior. They reverse the modernist idea according to which architecture should organize and control human conduct.
Saturday, February 16
Free entrance for the events
2pm – Merce Cunningham, Canfield, 1969, performed by CalArts Dance.
2:15pm – Alison Knowles, #15 Wounded furniture, 1965, interpreted by CalArts students.
3pm – Trisha Brown, Solo Olos, 1976, performed by CalArts Dance.
3:20pm – Dimitri Chamblas, SLOW SHOW, 2018. Music and sound by Eddie Ruscha
4pm – Jasmin Blasco, Speaking In Tongues, 2019
4:30pm – Alison Knowles, Variation #1 on Proposition, Make a Soup, 1964 interpreted and performed by Art by Translation
5pm – Alvin Lucier, I Am Sitting in a Room, 1969, interpreted by Jasmin Blasco.
5.30pm – Dinner Make a Soup, Alison Knowles
6.30pm – Collective reading session by Slow Reading Club. With a tea serving by Hannah Mjølsnes
Sunday, February 17
Free entrance for the events
Throughout the day – Yoko Ono, TAPE PIECE II, 1963, interpreted by CalArts students.
2pm – Yoko Ono, Building Piece for Orchestra, 1963, interpreted by CalArts students.
2:15pm – Luke Stoneham (with Simon Leung), Duo, 2018
2:40pm – Presentation by Performa curator Charles Aubin of his research related to Circulations, Performa 17’s architecture and performance program, and the accompanying publication Bodybuilding (upcoming).
3:40pm – Yoko Ono, Wall Piece for Orchestra, 1962, interpreted by CalArts students.
4pm – Milka Djordjevich, Kinetic Augmentations, 2019
5pm – For Phil Willson, (1979 ) by Pauline Oliveros From Deep Listening Publications, © 2009
Courtesy of The Pauline Oliveros Trust (www.paulineoliveros.us). Member ASCAP.
Interpreted by CalArts students.
5:20pm – Yoko Ono, Touch poem 5, 1963, interpreted by CalArts students.
5:40pm – Mark Geffriaud, Home Cinema, 2019.
6:20pm – Yoko Ono, TAPE PIECE II, 1963, interpreted by CalArts students.